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Curatorial Project FRÁGIL

The project FRÁGIL, presented in January 2025, was conceived and developed by Delsy Rubio in the roles of researcher, evaluator, and curator, with academic backing from a Curatorial Workshop endorsed by Urbe University and institutional support from Artifice Doral Gallery.

An International Research

The research for this exhibition involved more than 30 contemporary artists from diverse backgrounds —Venezuela, Argentina, Brazil, Colombia, China, Panama, Austria, Italy, Spain, Russia, Cuba, Costa Rica, and the United States— with the aim of exploring how the duality of strength–fragility manifests as a universal language in contemporary art.

Although many of these artists have distinguished careers in biennials, international fairs, and academic recognitions, the final selection was not based solely on curricula. The primary criterion was the conceptual coherence and poetic strength of the works in relation to the idea of fragility and strength as a creative duality.

Curatorial Selection

Through this evaluative process, seven artists were selected, each addressing fragility from a different perspective:

  • Ana Gutiérrez (Venezuela) – With an abstract figurative style, her work draws from renaissance and baroque inspiration, personal and family experiences to transform vulnerability into creative freedom.
  • Ileana Rincón-Cañas (Venezuela) – A photographer focused on self-portraiture; her work transcends autobiography to situate herself in dreamlike, surreal, and timeless landscapes that explore fear, consciousness, emotions, and environmental concerns.
  • Teresa Cabello (Venezuela) – A sculptor who turns fragility into a force of identity and belonging, showing how vulnerability can enrich and strengthen the human experience.
  • Lara Restelli (Argentina) – Through contemporary realism, her series Everyone Needs a Rock reveals the coexistence of the imperceptible and the seemingly solid, challenging notions of permanence.
  • Betta Santini (Italian-Brazilian) – In her series What do you bring in your purse?, she explores female psychology and contrasts the fragility of glass with the emotional weight of her pieces, provoking reflection on the contemporary female experience.
  • Elisa Wou (Brazil) – Her series What Cannot Be Erased investigates memory and processes of erasure, capturing the tension between the visible and the hidden, and revealing how traces of memory persist to shape identity.
  • Mai Yap (Chinese-Panamanian) – In her series Gratitude, she offers an ecological perspective on the fragility of nature and the strength that emerges when we recognize and care for our environment.

Each artist, through her own visual language, contributed to making FRÁGIL a space for dialogue where the personal, the material, and the collective intertwine to rethink the relationship between vulnerability and strength.

FRÁGIL: A Reflection on Creativity

The group exhibition, inspired by the English writer William Blake’s phrase “Any man who uses his own spirit creatively is an artist”, invited the audience to reflect on fragility as an essential part of the creative process.

Each piece revealed how vulnerability and delicacy are not weaknesses, but sources of resilience and transformation. Fragility was approached from multiple perspectives and styles: in some cases, through the materiality of the work itself; in others, through human, personal, emotional, familial experiences, migration, or even the fragility of Planet Earth.

Thus, FRÁGIL became a space to confront and rethink the relationship between fragility, strength, and creativity, celebrating the diversity of voices and trajectories that converge in contemporary art.

A Contribution to Art and Human Reflection

More than an exhibition, FRÁGIL was conceived as a tribute to the capacity of the creative spirit to persist amid vulnerability, to find strength in fragility, and to open pathways for dialogue across cultures and sensitivities.

I am grateful to God for inspiration and strength, to my family for their unconditional support, and to Frank Siberio, Felix Suazo and Urbe University for being part of this journey. My heartfelt thanks also go to the participating artists, whose works gave meaning and strength to this exhibition, and to the audience who attended and shared the experience. 

Finally, I extend my gratitude to the media outlets that covered the exhibition and helped broaden its reach: Art Miami Magazine, Art Circuit Art Food & Cultural Guide, and Doral Art & Beyond (Radio Program by Doral Voice).

By Delsy Rubio
Visual Artist | Curator

Have you ever reflected on the delicate balance between strength and fragility in your own life? That idea inspired the exhibition FRÁGIL…

We invite you to reflect on fragility and creativity—share your thoughts in the comments below.

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A Stranger Along the Way

Networking for Art and Life

By Delsy Rubio

It feels like it was just yesterday… but over ten years have passed since I visited my friend Maryanne, originally from Maracaibo and now living in Tampa, Florida. It was a heartfelt reunion after many years, and we spent a wonderful week filled with meaningful moments and warm memories alongside her family. We happened to be celebrating Thanksgiving, a tradition in the United States that many immigrants adopt as an opportunity to give thanks—not only for the holiday itself, but also for the chance to start anew with hope, effort, and resilience. Starting over in an unfamiliar land is no small task, especially when you don’t know anyone. Today, after many years of dedication and perseverance, thanks to her entrepreneurial spirit, my friend is a successful businesswoman with financial stability—just like many Venezuelans who have contributed to and enriched the culture and economy of this country through their creativity, talent, and professional drive.

During those days, we explored nearby places that left me with beautiful memories. One of them was Anna Maria Island, where a long wooden pier connects the beach to a restaurant suspended above the water. Places like these are ideal not only for enjoying the local food, but also for noticing the kinds of details that invite contemplation and awaken the senses: feeling the wind on your face, watching dolphins leap and seabirds skim the bay, listening to the sounds of the sea. It’s a deeply relaxing experience that stays with you for years. A symbol I carry in my memory: strangers coming together to leave their mark—their names carved into the wood—reminding us that, like networking, it connects us.


Soon after, I traveled to Miami to attend two major art fairs: Art Miami and Art Basel.

If you enjoy art fairs, the U.S. hosts them year-round in cities across the country. These events are where classical and contemporary styles converge—where diverse visions come together to challenge and expand your perspective. If you’re a visual artist or someone interested in contributing to the art industry, these fairs are excellent spaces to meet the right people and grow your professional network: artists, architects, dealers, art critics, gallery owners, collectors, investors, journalists—or simply art lovers who share your passions. A professional network—commonly known today as networking—often begins when someone you know introduces you to a stranger. If that stranger sees something in you, they may introduce you to someone else, and so on. As people connect and recommend one another, the network grows. And the bigger your network, the greater your chances of sharing your work and making an impact in your field.

But what happens when strangers simply appear along your path?

In those moments, intuition plays a crucial role—that instinct that tells you who to trust and who not to. I bring this up because, during my journey from Tampa to Miami, I traveled with someone I didn’t speak to until we arrived. When he noticed I was looking for a hotel, he said: “My gallerist recommended a place right next to the Miami River Art Fair. I’m exhibiting there this week.” I looked up the hotel on my phone, and it turned out we both ended up staying there. 

We dropped off our bags, and without hesitation, he invited me to visit the gallery where his works were displayed, as well as the fair’s setup and opening. That day, he introduced me to organizers, installers, artists, dealers, and gallery owners.In an instant, this stranger became the first link in a new network of connections—one that continued to grow and would later bear fruit.

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Thanks to the inspiration of that chance encounter—and the power of networking—my career began opening up to the international art market. Since then, I’ve participated in notable art fairs such as:
ArtExpo New YorkSan Diego Art FairRed Dot MiamiArt Palm Beach International Art FairFIAAM (Maracaibo International Art and Antiques Fair), PArC (Perú Arte Contemporáneo), Amsterdam International Art Fair, and Doral International Art Fair (DIAF).

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Each of these experiences has played a vital role in projecting my work into the art world, allowing me to collaborate with other artists, gallery owners, collectors, and art enthusiasts from around the globe. Through these exhibitions, I’ve shared my work across continents, expanding my professional network and solidifying the foundation of my artistic career.

And you—what’s your take on art fairs?

 

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If you enjoyed this story and would like to continue exploring with me, subscribe to my blog. Growth comes through dialogue. I look forward to reading your thoughts

!

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